Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.
The nearly-seven-minute single take in the first act is stunning, but eventually the film unravels into a claustrophobic+survival horror whose plot is boosted solely by the characters' undisciplined behaviour and stupidity. It makes you wonder how people so dumb can get selected.
黄瓜汁:171.12.43.170
so absurd and weird感觉像是仲夏夜之梦in a twisted strange way;很有趣的设定但似乎太急于表现每一个角色在早期都显得尴尬别扭;马尔科维奇世界因吹斯汀;到底是什么造就了一个人ta的特性伴随动作发出黏腻的水声每个人是否某种意义上也在扮演者其他人什么时候才能又坍缩为真我你所爱之人又是谁你对ta的爱又是源于什么;木偶戏对灵魂扮演的巧妙隐喻意喻着人的一生就是戴着镣铐起舞鲜有快乐自由之时皆是绝望与幻灭we all in the dance of despair and disillusionment